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Optional Tools - Expand Your Mastering 6000

You can also purchase optional algorithms for Mastering 6000. We have already packed all of the obvious mastering tools, but you could find yourself in a situation where a little bit of pristine reverb would be adding that magic touch, or you could use Backdrop to clean up old recording before remastering sessions.

 

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AM6

The AM6 radar combines an intuitive and efficient way of visualizing annoyance of stereo or 5.1 content over time, while the integrated Leq(M) number indicates the status of the entire trailer or commercial.

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Reverb 8 for System 6000 MKII

Reverb 8 is your perfect, pristine-sounding solution for multichannel formats. Particularly useful for multichannel film production. Go from 8 to infinity...

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VSS™ Surround

Unique room simulator for matrixed sound production. This algorithm turns the diffused field of the simulation into an Lt/Rt signal.

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VSS™ 6.1

If you need to add reverb to an existing 5.1 or 6.1 signal or move sources around with a joystick, VSS™ 6.1 Reverb is your algorithm.

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VSS™ 5.1 Source

A true 5.1 simulator algorithm with multi-directional, early-reflection patterns, a wide sweet spot and fully uncorrelated rendering.

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VSS™ 4HD

Highly advanced stereo reverb capable of treating source-related reflections from multiple angles with results of unrivalled precision.

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VSS™ M4

4 discrete mono reverbs. Engineers often find such a setup more useful than using pre-configured structures for stereo, 5.1, 6.1 and other formats.

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VSS™ 3

What you get is simply a 'true-to-life' sound. We've designed this algorithm to painstakingly recreate room types that are incredibly convincing.

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DVR2

Generic Reverb with a true vintage flavor and a flattering sustain effect. It complements Source Reverb very well, and both can be great for different types of reverb applications.

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NonLin2

Envelope, Attack, Hold and Release parameters set you free to create compact vocal ambiance, dramatic eighties drum and percussion sounds, reverse reverb - or your own new sonic creations.

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ReflectorLCR

An extremely versatile delay and boundary effect that can reflect any environment. Easy to edit, so you can remain intuitive while mixing.

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Reflector6

An extremely versatile delay and boundary effect that can reflect any environment. Easy to edit, so you can remain intuitive while mixing.

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Reverb-2

Reverb that's great for percussive instruments. It comes with a well-defined and precise build up and the uncorrelated design ensures perfect mono compatibility.

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Reverb-3

Classic and true stereo reverb. Control decay time with four individually adjustable frequency bands and create sounds with virtually no audible early reflections.

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De-Esser

With this high performance stereo de-esser algorithm, you can choose between relative or absolute threshold modes, enabling the de-esser to work either as a dynamic and musical tool that removes sibilant sounds, or as a fixed de-essing tool for e.g. percussive material.

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SpacePan

Our 8 input panning algorithm allows you to position any audio source precisely in a real-time or surround environment.

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ALC6

Automatic Loudness Correction Processor delivering high-resolution, low-latency loudness control in a world full of level jumps between programs.

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BackDrop

Unparalleled stereo broadband noise reduction algorithm primarily intended for - but not limited to - restoration applications. Simply capture a noise-print, then adjust and calculate it, and you are up and running.

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Engage

Engage deals with three-dimensional sound reproduction in headphones. You can now deliver optimum surround results for those of your listeners using headphones.

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VariPitch

A high quality pitch change, chorus and double tracking effect. You can use it on monophonic or polyphonic material with dual mono or stereo input. For music applications, VariPitch is the best and most unobtrusive pitch control device in the industry.

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DMix

Downmix, loudness-process and true peak limit any mono, stereo or 5.1 source. Input formats are detected automatically.

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Chorus

High-resolution stereo chorus and flanging effects as well as modulated stereo delays of up to 650 ms per channel.

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Core-2

Great effect for small room simulations. Professionals in film and post production have found this algorithm perfect for reproducing the short 'tails' of small rooms.

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Delay 1

24 bit true stereo delay that gives you up to 2.5 seconds in each channels with basic feedback control. You can use it with sample rates up to 96kHz.

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Delay 2

Delay with filtered feedback control. Now you can modulate delays with full control over the relative L/R phase to emulate chorus or tape delay perfectly.

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Phaser

A Classic M5000 algorithm that gives you a digital version of the highly-acclaimed TC XII stomp box. It features several swept filter sections to control the impact of your effect.

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