This full version mastering and film up-converter algorithm offers a high level of sophistication with unprecedented control and resolution. An abundance of parameters facilitates the conversion of stereo and LtRt sources to 5.1 while remaining faithful to the original mix’s width, timbre, spaciousness and other significant factors.
With its wealth of controls, UnWrap™ is a benchmark in film and music production. Whether you lack time to do a conventional 5.1 mix or a multitrack source simply doesn’t exist – UnWrap™ facilitates smooth and fast stereo to 5.1 up-conversion.
Once processed, the 5.1 output can be subsequently down-mixed to stereo again with no sonic penalties. Take a preset tour to spark your creativity, or start a new up-mix from scratch. Processing is double precision, capable of running at any sample rate between 44.1 and 96 kHz.
UnWrap™ includes customized up-conversion presets for film production and music mastering and comes with settings to complement it all.
Add to the default presets the ability to time-align all channels at sample precision, widen or narrow the image, control the amount of Center and LFE channel to be used, change filters and envelopes, and you begin to get an idea of the power of this plug-in.
Submit the form below to get notified with the latest exciting Product News and Great Competitions
Please fill out the fields marked in red
Unwrap Press Quotes
Surround Professional Sep 2001 – Howard Messey 'Needless to say, UnWrap is powerful enough to be abused in the wrong hands. But, under the control of a skilled engineer, it does a great job. More importantly, it solves an important repurposing problem: what to do when the original multitracks are unavailable or non-existent.'
Latest
Radar Loudness Meter for Native DAWs
Our acclaimed radar display has long proven an efficient solution when upgrading audio production for broadcast, film and music from unsatisfactory peak level indicators to loudness-based metering. LM6 Radar Loudness Meter gives you direct access to this revolutionary meter whether you are using Media Composer, Final Cut Pro, Pro Tools, Logic Pro, Nuendo, Wavelab, Sequoia, etc. on a Mac or PC and whether your productions are in mono, stereo or 5.1.
Most residents of Dubai know of DJ Greg Stainer from Radio 1 UAE and many more know of him as resident DJ at Zinc, the nightclub at Crowne Plaza Hotel. An important part of his hardware arsenal is the TC Electronic Konnekt 24D, a firewire audio interface with built-in DSP effects.
