Main Delay TonePrints by Ubukata

A versatile delay sound both for clean and distortion. Ubukata wanted a fat, warm and non-digital sounding delay for his "go-to" sound, so he chose the "Tape" delay type with a lot of saturation. To compensate for the booming low end due to the increased drive level, the lo-cut is adjusted to 90Hz. He also added a hint of modulation to add some character when he switches from his dirty sound to clean.

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A versatile delay sound both for clean and distortion. Ubukata wanted a fat, warm and non-digital sounding delay for his "go-to" sound, so he chose the "Tape" delay type with a lot of saturation. To compensate for the booming low end due to the increased drive level, the lo-cut is adjusted to 90Hz. He also added a hint of modulation to add some character when he switches from his dirty sound to clean.

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Other TonePrints by Ubukata