Aftershock TonePrint By Uriah Duffy
Uriah‘s Aftershock Reverb TonePrint for the Hall of Fame pedal was created by his desire to hide the reverb when playing softly but then unleashing the beast when playing harder. This is as a result of reaching the threshold; simply like a traditional envelope filter would have allowed him to do.
Sweet Minger TonePrint By Mark King
The ‘Sweet Minger’ TonePrint for the Vortex Flanger produces a sweeping flange sound with a twist of chorus that sweetens up the overall tone. It is aimed to be a subtle tone that does not overpower the end result of what is being played.
Desert Flower TonePrint By Gail Ann Dorsey
Seasoned bassist, Gail Ann Dorsey graces the TonePrint family with her gently named ‘Desert Flower’ creation for the Vortex Flanger pedal. The effect is a subtle flanging effect that will work its magic underneath the tone.
Sausage and Beer TonePrint By Janek Gwizdala
‘Beer and Sausage’ is a delay that adds just enough feedback to give three to four crystal clear repeats as it tails off. Gwizdala also wanted a sound that would be reminiscent of a mix between a reverb and delay and recommends this TonePrint as a pretty soloing sound.
The new smartphone app compiles all TonePrints for our TonePrint enabled guitar pedals in one place and allows you to ‘beam’ new TonePrints to your pedals in a matter of seconds.
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