Production

Optional Tools - Expand Your Mastering 6000

You can also purchase optional algorithms for Mastering 6000. We have already packed all of the obvious mastering tools, but you could find yourself in a situation where a little bit of pristine reverb would be adding that magic touch, or you could use Backdrop to clean up old recording before remastering sessions.

 

Buy Optional Licenses Here

 

AM6

The AM6 radar combines an intuitive and efficient way of visualizing annoyance of stereo or 5.1 content over time, while the integrated Leq(M) number indicates the status of the entire trailer or commercial.

Learn More About AM6

Reverb 8 for System 6000 MKII

Reverb 8 is your perfect, pristine-sounding solution for multichannel formats. Particularly useful for multichannel film production. Go from 8 to infinity...

Learn More About Reverb 8 for System 6000 MKII

VSS™ Surround

Unique room simulator for matrixed sound production. This algorithm turns the diffused field of the simulation into an Lt/Rt signal.

Learn More About VSS™ Surround

VSS™ 6.1

If you need to add reverb to an existing 5.1 or 6.1 signal or move sources around with a joystick, VSS™ 6.1 Reverb is your algorithm.

Learn More About VSS™ 6.1

VSS™ 5.1 Source

A true 5.1 simulator algorithm with multi-directional, early-reflection patterns, a wide sweet spot and fully uncorrelated rendering.

Learn More About VSS™ 5.1 Source

VSS™ 4HD

Highly advanced stereo reverb capable of treating source-related reflections from multiple angles with results of unrivalled precision.

Learn More About VSS™ 4HD

VSS™ M4

4 discrete mono reverbs. Engineers often find such a setup more useful than using pre-configured structures for stereo, 5.1, 6.1 and other formats.

Learn More About VSS™ M4

VSS™ 3

What you get is simply a 'true-to-life' sound. We've designed this algorithm to painstakingly recreate room types that are incredibly convincing.

Learn More About VSS™ 3

DVR2

Generic Reverb with a true vintage flavor and a flattering sustain effect. It complements Source Reverb very well, and both can be great for different types of reverb applications.

Learn More About DVR2

NonLin2

Envelope, Attack, Hold and Release parameters set you free to create compact vocal ambiance, dramatic eighties drum and percussion sounds, reverse reverb - or your own new sonic creations.

Learn More About NonLin2

ReflectorLCR

An extremely versatile delay and boundary effect that can reflect any environment. Easy to edit, so you can remain intuitive while mixing.

Learn More About ReflectorLCR

Reflector6

An extremely versatile delay and boundary effect that can reflect any environment. Easy to edit, so you can remain intuitive while mixing.

Learn More About Reflector6

Reverb-2

Reverb that's great for percussive instruments. It comes with a well-defined and precise build up and the uncorrelated design ensures perfect mono compatibility.

Learn More About Reverb-2

Reverb-3

Classic and true stereo reverb. Control decay time with four individually adjustable frequency bands and create sounds with virtually no audible early reflections.

Learn More About Reverb-3

De-Esser

With this high performance stereo de-esser algorithm, you can choose between relative or absolute threshold modes, enabling the de-esser to work either as a dynamic and musical tool that removes sibilant sounds, or as a fixed de-essing tool for e.g. percussive material.

Learn More About De-Esser

SpacePan

Our 8 input panning algorithm allows you to position any audio source precisely in a real-time or surround environment.

Learn More About SpacePan

ALC6

Automatic Loudness Correction Processor delivering high-resolution, low-latency loudness control in a world full of level jumps between programs.

Learn More About ALC6

BackDrop

Unparalleled stereo broadband noise reduction algorithm primarily intended for - but not limited to - restoration applications. Simply capture a noise-print, then adjust and calculate it, and you are up and running.

Learn More About BackDrop

Engage

Engage deals with three-dimensional sound reproduction in headphones. You can now deliver optimum surround results for those of your listeners using headphones.

Learn More About Engage

VariPitch

A high quality pitch change, chorus and double tracking effect. You can use it on monophonic or polyphonic material with dual mono or stereo input. For music applications, VariPitch is the best and most unobtrusive pitch control device in the industry.

Learn More About VariPitch

DMix

Downmix, loudness-process and true peak limit any mono, stereo or 5.1 source. Input formats are detected automatically.

Learn More About DMix

Chorus

High-resolution stereo chorus and flanging effects as well as modulated stereo delays of up to 650 ms per channel.

Learn More About Chorus

Core-2

Great effect for small room simulations. Professionals in film and post production have found this algorithm perfect for reproducing the short 'tails' of small rooms.

Learn More About Core-2

Delay 1

24 bit true stereo delay that gives you up to 2.5 seconds in each channels with basic feedback control. You can use it with sample rates up to 96kHz.

Learn More About Delay 1

Delay 2

Delay with filtered feedback control. Now you can modulate delays with full control over the relative L/R phase to emulate chorus or tape delay perfectly.

Learn More About Delay 2

Phaser

A Classic M5000 algorithm that gives you a digital version of the highly-acclaimed TC XII stomp box. It features several swept filter sections to control the impact of your effect.

Learn More About Phaser

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