1999-7 Muzyk (POL)
2 pages review, page 32
Author: Przemystaw Sluzynski
1999-3 Sound & Vision (D)
2 pages review, page 58
Author: Wolfram Huschke
Das wohl fitteste Effektgerät für Tonstudios und Live Performances dieser Tage nach dem Motto - schmeiß deb Rest aus dem Rack, das klingt nur wie Dreck...
1999-2 Recording (US)
5 pages review, page 16.
Author: Mike Metlay
If there's a sonic vision you can't reach with this effects processor in your arsenal, it probably won't be the box's fault.
1998-12 Electronic Musician (US)
5 pages review, page 148
Author: Erik Hawkins
In a word, FireworX is incredible. I can't say enough good things about this unit; its sound quality, internal architecture, professional specs, and user interface are all top-notch. It's definitely the best multi-effects unit I've ever tried.
1998-12 KEYS (D)
3 pages review, page 78
Author: Mark Ziebarth
1998-9 Audio Media (UK)
2 pages review, page 142
Author: Ben Grant
This is an awesome product! In my opinion, one of the best and most powerful multi-effects processors available.
1998-7 The MIX (UK)
3 pages review, page 44
Author: Bob Dormon
A real crowd-pleaser with a broad palette of effects to suit all musical genres.
1998-7 Keybords (D)
5 pages review, page 90
Author: Jörg Küster
1998-6 Sound On Sound (UK)
5 pages review, page 76
Author: Hugh Robjohns
TC Electronic have produced a super-sounding and extraordinarily capable machine in the FireworX.
1998-5 Fachblatt (D)
3 pages review, page 70
Author: Florian Richter
1998-5 Studio Magazin (D)
6 pages review, page 32
Author: Dieter Kahlen
1998-5 Riffi (FIN)
2 pages review, page 64
Author: Sami Sarhamaa
1998-5 Home Studio Recording (FR)
3 pages review, page 34
Author: Mark Haliday
1998-3 Radio Production (US)
4 pages review, page 13
Author: Jerry Vigil
The FireworX can truly be called an effects box. Where others add a few extra effects around a ton of reverb programs, the FireworX does just the opposite.
1998-3 Studio Sound (UK)
pages review, page 22
Author: George Shilling
Throwing up a storm of digital effects processes, TC's latest box combines professional processing with the reckless indulgence of early musicians' MIDI multieffects units. George Shilling has a ball.
DJ Magazine (D) - Issue # 1
1 page review, page 64
Author: Andy Baumann
Alle Effekte klingen sehr teuer und gut, und bieten durch die vielen Kombinations- und Modulations-möglichkeiten unzählige Variationen und nie zuvor Gehörtes. [...]. Das FireworX ist wie ein Vestax-Pioneer-Rodex-Mixer mit Technics-Vestax-Turntable - eben nur für Effekte.
All the effects sound great and very expensive, and offers an infinite number of variations, many not even heard before, through the huge amount of possible variations and modulations. […]. The FireworX is like a Vestax-Pioneer-Rodex-Mixer with a Technics-Vestax-Turntable - just for effects.
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