D22 - On-Line Broadcast Delay
High resolution Delay for broadcast master control and linking. Delay-time may be adjusted while signal is being passed, thanks to a low artifact processing technique. The delay is easily adjustable from the front panel using dedicated Nudge keys, Encoder and Tap function. Increments can be set in ms, fields or frames, and the unit delays linear audio as well as Dolby E or AC3 streams. Remote control of by-pass and delay time is available through GPI or RS485 inputs. Balanced and unbalanced AES/EBU I/O is standard, and outputs are always active. Sample rate conversion can be invoked when using digital inputs.
Analog I/O is standard, and outputs are always active. The 24 bit converters are scaled in the analog domain, with scaling under preset control, to minimize noise and maximize headroom under all operating conditions.
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Radar Loudness Meter for Native DAWs
Our acclaimed radar display has long proven an efficient solution when upgrading audio production for broadcast, film and music from unsatisfactory peak level indicators to loudness-based metering. LM6 Radar Loudness Meter gives you direct access to this revolutionary meter whether you are using Media Composer, Final Cut Pro, Pro Tools, Logic Pro, Nuendo, Wavelab, Sequoia, etc. on a Mac or PC and whether your productions are in mono, stereo or 5.1.
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More Power to The P2
Acclaimed P2 loudness correction and optimization processor is upgraded to include ITU-R BS.1770-2, EBU R128, ATSC A/85 and TR-B32 based signal handling.
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J. Mark King
J. Mark King, broadcast mixer for the recent star-studded Annual Academy of Country Music Awards from the MGM Grand on Sunday May 18, depended upon a TC Electronic DB-8 Television Processor to automatically upmix his two-channel stereo music mixes into full 5.1-channel surround sound.
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