Inputs: Connect the inputs you wish to use. The S/PDIF input also handles AES3 and AES3-id format. Simply press one of the three INPUT SELECT keys to select the input you wish to listen to.
Outputs: Analog speakers connect to the XLRs, digital speakers to the S/PDIF output. The S/PDIF output is really an AES 3-id output, so BMC-2 can drive AES inputs, even over long cable runs.
Level Control: The big level knob controls the level to the speakers unless REF is active. The knob produces transparent gain settings with 0.0dB at the 3 o’clock position.
Reference levels: Press the REF key to activate calibrated listening on both sets of speakers as well as on headphones.
iCheck: Data reduced audio is not the same as ‘CD quality’. BMC-2 provides a shortcut for revealing artifacts of data reduction. At bit-rates lower than 256kbps for stereo, the spatial imaging is often compromised, which may be easily exposed by listening to the components of the image in isolation.
BMC-2 Review - Future Music
BMC-2 which of course makes for super tight and clean digital audio and I’m happy to report the sound quality is absolutely top notch. What goes in comes out as it should!
Read more
Latest
Radar Loudness Meter for Native DAWs
Our acclaimed radar display has long proven an efficient solution when upgrading audio production for broadcast, film and music from unsatisfactory peak level indicators to loudness-based metering. LM6 Radar Loudness Meter gives you direct access to this revolutionary meter whether you are using Media Composer, Final Cut Pro, Pro Tools, Logic Pro, Nuendo, Wavelab, Sequoia, etc. on a Mac or PC and whether your productions are in mono, stereo or 5.1.
Click here to find a TC Electronic dealer near you
Software
Radar Meter Bundle for Pro Tools | HD
Radar Meter Bundle for Pro Tools HD is a complete loudness meter package that is perfect for all post and production studios whether they deliver for broadcast or cinema.
Radar Meter Bundle is a free upgrade for existing LM5D users.
Please note that the iLok license is named "LM5D".
Inputs: Connect the inputs you wish to use. The S/PDIF input also handles AES3 and AES3-id format. Simply press one of the three INPUT SELECT keys to select the input you wish to listen to.
Outputs: Analog speakers connect to the XLRs, digital speakers to the S/PDIF output. The S/PDIF output is really an AES 3-id output, so BMC-2 can drive AES inputs, even over long cable runs. 
Level Control: The big level knob controls the level to the speakers unless REF is active. The knob produces transparent gain settings with 0.0dB at the 3 o’clock position.
Reference levels: Press the REF key to activate calibrated listening on both sets of speakers as well as on headphones. 
iCheck: Data reduced audio is not the same as ‘CD quality’. BMC-2 provides a shortcut for revealing artifacts of data reduction. At bit-rates lower than 256kbps for stereo, the spatial imaging is often compromised, which may be easily exposed by listening to the components of the image in isolation.
.jpg)
.jpg)
