Mick Mahan
www.mickmahan.com
TC Electronic equipment: RH450, 2x RS410Website: www.mickmahan.commySpace: www.myspace.com/mickmahanMick's been playing, touring and recording with Pat Benatar and Neil Giraldo for over 15 years now, but before playing bass for one of the world's most enduring Rock acts Mick had already built a solid reputation in the world of Jazz/Funk. He also plays, tours and records with CTA (California Transit Authority) with Danny Seraphine (ex-legendary outfit Chicago). Mick's used a lot of amps over the years, but it didn't take long for him to become a convert of the RH450 sound: "These amps are the bomb. On stage they just sound great - warm tone and I love the distortion capabilities. And I've not had one complaint from monitor world or front of house."  Mick's credit list needs a page in its own right, but distilled highlights include Prince, Sheryl Crow, Alan Parsons, Keith Emerson, Steve Miller and Barry Manilow. To compile such a lengthy biography takes time, so it comes as no surprise to learn that Mick started playing guitar in his first band aged 11. After a few years the band needed a bassist, Mick volunteered and, as he says, "immediately fell in love with the instrument". He continued gigging after he moved to Los Angeles, where he promptly "realized he needed a more formal music education" to compete, so he set about furthering his studies in composition, arranging, reading and conducting at the Grove School of Music. He played in L.A. for 17 years, building up his reputation and business in session work and with many original bands. When not on tour he writes extensively for television and environmental media, having turned in enough music to soundtrack a network for a week, including music for the likes of Michelob, Harley Davidson and MTV.
|
|
 |
You may not have heard about Simone Vignola just yet, but chances are that you will as this impressive, Italian bass player is still young and upcoming.
|
During the last 30 years, Jannick Top has been among the most influential bass players in France. Due to an amazing and rather diverse musical background, he has developed a very unique way of playing the bass.
|
Philippe ‘Fifi’ Chayeb was born in Nice in 1965 and showed an interest in music at just five years old when he started to play piano. He then went on to learn double bass at six years old and carried on studying that at Nice conservatory until he was 17.
|
For Stern, bass is more than just low frequency vibe, defining the role of the bass as “the mediator between the pocket and the harmony. The bass should bring out the best in the groove and the melody.”
|
Think of legendary bass players and Rocco Prestia features on every list. For over 40 years now Rocco's bass has been underpinning the groove for Californian funk legends Tower Of Power. In that time Rocco has defined his own style and become synonymous with the much-imitated ‘Finger Style Funk' that he pioneered back in the '60s and '70s.
|
Esperanza is clearly only embarking on a career as a world class interpreter of Jazz, but what she's achieved already outlines a career path that's sure to be heavily punctuated with genre-defining moments.
|
Debra Killings may have propelled herself into a Gospel-tinted spotlight with her critically acclaimed debut long-player 'Surrender' back in 2005, but after contributing to some of the biggest albums of the '90s and beyond it's really no wonder she hit the ground running.
|
Randy Jackson, a Grammy Award-winning producer, is a 25-year music industry veteran. Randy has recorded, toured and performed with the likes of: Mariah Carey, Whitney Houston, Celine Dion, *NSYNC, Madonna, Elton John and Destiny's Child, Bob Dylan, Bruce Springsteen, Billy Cobham, Joe Satriani among others.
|
In 1994 Derrick left Philadelphia and moved to LA where his skills on the bass were quickly noted and he landed his first high profile role, playing bass with Sheena Easton. He went on to perform and tour with a host of other high profile and talented performers including Tom Scott, Gladys Knight, Natalie Cole...
|
|